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Interviews

Miss Katie Corsetry

June 6, 2008 by Rene

Katie B. is the founder of Miss Katie – a maker of corsets and retro fashions. Katie spoke with TLP over email in May of 2008.

Q: You have some high profile clients (Immodesty Blaize, others). How do they factor into your business? Do you only focus on the high profile client or do you have a broader customer base?
A: Of course Miss Blaize is one of my best clients. It’s a pleasure to make such intricate and sumptuous show pieces and see them worn to their best effect! She is obviously at the top of the scale but I do everything from an undergarment for a wedding dress to the occasional corset for a man.

Immodesty lace

Q: How did you step into this line of exquisite costumery 10 years ago?
A: If always loved historical clothing so I scooted of to London College of Fashion to study theatrical clothing and then found a job at Skin 2 and then House of Harlot making rubber clothing. As I started making fabric corsets for myself, others expressed interests in buying them…an age old business start-up.

Q: Do you think there is a lingerie renaissance? Why or why not?
A: I certainly think that all types of underwear have got more exciting and colourful over the last 10 years. Mainly I think to do with the cheap and disposable age that we live in. People can afford to buy a crazy coloured bra for £3 and wear it twice a year. A few years ago, it was a different story where you would buy just the sensible option. Things tend to go in cycles and I’m sure we will see that again.

Q: Certainly there seems to be resurgence in burlesque. Why do you think that is?
A: A small section of this society will always be looking for new music, entertainment and of course style. Again I come back to the cycle issue. The 70’s were influenced by the 30’s, the 80’s by the 50’s and now burlesque is back. We a very lucky to live in a time and place to enjoy it.

Q: How large (geographically) is your market?
A: My customers are mainly from Britain but I do have a reasonable amount from Germany, Finland and the Americas, etc.. They will often tie in a trip to London with coming to see me for measurements and fittings. I do have an American customer that flies over specially and has had film shoots in the U.S.

print_measuringchart.jpg

Q: Can you describe the process from sketch to sale?
A: Quite simply I will talk to the customer and agree with a sketch and details, take a full set of measurements and then make a tuille. With one fitting I then make the corset.

Q: How different is the pricing for the off-the-peg pieces (Toulouse Corset at £300.00) and your bespoke pieces?
A: My custom corsets are really a tailoring service. They are made for the individual, unlike my off the peg range which I sell wholesale to shops. Both sides of my business are equally important and gives a nice variety in my work life. Obviously a made to measure is going to be more expensive due to the fittings, samples and construction time. I seem to have more and more bespoke work to do every year.

Q: Can a large lingerie company move into the custom corsetry space?
A: I think people like to have a specially made piece which can sort out personal tastes and issues. I do it with shoes, I will have a beautiful pair hand made by Natacha Marro but then kick around in boots for work. Its nice to have a cherished piece in your wardrobe. If Marks and Spencer start doing made to measure corsets I’ll eat my socks!

Q: Do corsets have a season? I’m in love with the Burgundy and Cream waistcoat. Can I buy this any time or will you retire this design?
A: Hmmm…Don’t worry, at this point I have no plans to throw out that pattern! The main problem is finding a reliable source of fabric which doesn’t get discontinued, this would be the main reason that a style would be dropped. Of course I may get run over by a bus tomorrow, at which point my death might seriously jeopardize a style…..or two.

overbust_burg_crm_sitting.jpg

Q: In your gallery pages, I see some pieces are shown with Buttress and Snatch bras. You’ve told me that Atsuko is a friend. Are you friends with many designers? Do you consider any business partnerships with them?
A: I’ve been hanging around clubs in London for an awful long time now. Along the way friends have started businesses and I’ve met established designers. I also worked at the Dior studios on behalf of House of Harlot, you just have to make the most of opportunities when they arise. At the end of the day we all just trying to earn a crust doing something we enjoy. Its good to see small businesses surviving, its not easy.

Q: Have you thought about a diffusion line?
A: I’ve toyed with the idea of sourcing production from the Far East, but I’m still struggling with my conscience with that. I would like my corsets to remain as a special purchase that will be treasured instead of ending up in the pile on the floor.

Q: Do you think that Miss Katie is as successful as brands like Lascivious or Playful Promises?
A: How do you measure success? I hardly advertise as I’m terrible at promotion so all the work I have finds me. I’ve got as much on as I can manage and the next step is to expand.

Q: What has been your greatest success so far? How about your greatest hurdle?
A: Still doing what I do. Its very difficult for small businesses to start up with very little help. Hopefully in a couple of years Miss Katie will be a few more leaps on.

toulouse_pink_blk_back.jpg

Q: Where do you find inspiration?
A: Well, I hardly look at magazines, fashion or the internet so I’m not sure really. Maybe I have a monkey on my shoulder whispering ideas to my subconscious….

Find out more about Miss Katie on her website

Filed Under: Burlesque, Corsets, Immodesty Blaize, Interviews, Miss Katie

TLP Interviews Aussie Designer Natalie Begg

June 1, 2008 by Rene

Natalie Begg is a designer from Australia. TLP interviewed Natalie over email during May of 2008. Natalie provided lovely, high quality photos, so make sure to click on the smaller images to see the larger images. Natalie has this to say about her start.

Six years ago, after an extended period of travel and self discovery throughout America, Uk, Europe and Asia, the largely self-taught designer set up studio in one of Australia’s most culturally rich suburbs of Melbourne – Brunswick. Whilst studying, she decided to put theory into practice and launched her first collection of sleepwear. Inspired by the colours, patterns, textures, flavours, space and sense of freedom she experienced a broad, ‘Elope’ was born.

Q: It looks like silk is your preferred fabric. Have you worked with other fabrics?
A: I have worked with all kinds of fabric ranging from the latest technology in man made fibres right through to antique lace from the 1920’s. I always end up coming back to the finest natural fibres including Swiss cotton voiles and hand painted silks designed and made in our fashion house in Melbourne.

Q: Do you have any schooling or training in contour/fabric design?
A: I have formal training in fashion design and pattern making but I taught myself everything else. I love the exquisite detail and fabrics used in lingerie which compliment my resort wear collections. Both collections have the same philosophy: purity of form above content.

Q: In the UK, there is certainly a renaissance in boutique lingerie designers (Playful Promises, Lascivious, others). Do you see the same thing going on in Australia?
A: I see a lot of people try but it is very difficult in Australia as there are very few skilled people to do the job.

Q: How do you develop the product?
A: I have a vision in my mind after intensive research and then create a pattern and watch it unfold. It may take 10 attempts before we reach our end result.

Q: Where do you see Natalie Begg in five years?
A: Exporting thoughout the world and possibly a flagship store in Melbourne.

Q: Have you done any design collaborations?
A: Yes, with a knitwear company, called Jemala. My range is currently been taken thought Europe and shown to buyers from Hermes, Gucci and Jean Paul Gaultier. Jemala have produced some of the finest wool in the world, their wool is softer and more pure than cashmere.

Q: How can customers buy your designs? Any stockists?
A: Visit my website www.nataliebegg.com and send us the code, colour and size you require and we can ship direct. Otherwise we have stockist throughout Australia.

Q: How do you get the pieces manufactured?
A: With intensive training!

Q: How many collections do you create?
A: Three lingerie and three resort wear a year.

Q: Does the Internet broaden your customer demographic?
A: Yes, although my fashion house is situated in the most multicultural street in Australia and I am often designing with as many nationalities in mind.

Q: How can our readers get in touch with you?
A: My email, my website (www.nataliebegg.com), even my phone 613 9314 8885.

Filed Under: Interviews, Natalie Begg

TLP Interviews Katja Ehrhardt

May 28, 2008 by Rene

TLP interviews Katja Ehrhardt from Hamburg, Germany. This interview took place over email in May of 2008. Katja also runs a parallel career with her High Gloss Dolls website in which many models wear her designs.

Q: How did you get started in the industry?
A: I worked for a fetish designer in Hamburg and soon started my own lingerie line, as I always thought that is what latex is made for: sexy lingerie.
Katja Ehrhardt Sexy Lingerie

Q: Did/do you work with fabrics other than latex?
A: I shoot with other fabrics, but I manufacture only latex-lingerie. for Fun I do sometimes hats and bags non-latex, but thats it.

Q: What special techniques are needed to work with latex?
A: I think you have to be skilled to work with your hands and fingers, as you don’t use machines to do it, and you have to be patient.

Q: How would you divide up your customer base?
A: That is very hard to say as I usually don’t meet my customers, I only sell over the internet and an email is all I get.

Q: Did you get formal training for your craft?
A: No, my teacher was an self-trained artist and I got most of my knowledge from him. I always thought about studying or getting a formal training, but I have more fun in being free and and just keep on doing things.

Q: Your collection mixes traditional lingerie design, fetish design, and some pencil skirts done in latex. How do you decide what pieces to create?
A: I just do what I like to see on my models and put it in my shop and see if other people like it as well. I don’t have a straight business plan and enjoy just doing what I feel like. Luckily my customers like my style and so I get along quite well with it.
Katja Ehrhardt Latex Lingerie

Q: How do you go from sketch to sale?
A: I store my sketches sometimes years, and then I discover them again and have a shooting and as soon as there is a photo, I can put it in my shop!

Q: Is their a mix with off the peg and bespoke work?
A: I mostly do made-to-measure when people order my outfits because I ask for the measurements anyway.

Q: Have you found cross-over appeal with traditional fashion and your molded stockings?
A: Many designers use stockings and gloves as accessories nowadays. It was exciting at the beginning, but by now it is boring again, at least for me. Often magazines lend my outfits, but at the end they only used the stockings and gloves. I guess they feel the rest is still too much “fetish”. I don’t share that opinion.
Latex Lingerie Katja Ehrhardt

Q: You have a great sense of modern pinup styles like the Valence Suspender Skirt and the Cup Body and the Hotpant. Where do you find inspiration?
A: Pin-up is always everywhere I guess. You don’t have to be a fan of pin-up to be influenced by it. It is just very feminine and cute and that is what I like. I don’t see my style very pin-up, but most people do. I find inspiration everywhere, but mostly I am inspired by my models. when I retouch photos and see their bodies on my screen, different outfits pop up in my mind.

Q: Do you have plans to expand your market or does the Internet provide the reach you need?
A: I am very happy with my online-shop and I appreciate the freedom it gives me. I have often thought about expanding, but then I would be trapped with a company I am responsible for. I want to keep it small and flexible for the moment.

Find out more at Katja’s sites:
http://www.fraeulein-ehrhardt.de/
http://www.highglossdolls.com/
Shop online
Photos courtesy of Katja Ehrhardt.

Filed Under: Fetish Lingerie, Fraeulein Ehrhardt, Interviews, Katja Ehrhardt, Latex, Lingerie designing

TLP Interviews Lucy Jackson

May 23, 2008 by Rene

Lucy Jackson is a recent graduate of the De Montfort Contour Programme. TLP interviewed Lucy via email over April and May of 2008. Q: How did you end up at De Montfort?
A: My lifelong ambition has been to work within costume design, which lead me to DMU to focus on corsetry and garments that relate closely to the body.

Q: How was the programme at DMU?
A: I had a wicked three year course at DMU studying contour fashion and received first class honours.

Q: Did you take part in student competitions?
A: I had various competitons set to the year by industry, where I came third, second and eventually first.

Q: Were you able to do any internships or work placements?
A: I managed to gain work placements at Amanda Wakeley, Birmingham Royal Ballet, and George at Asda, and also helped at the Amanda Wakeley London Fashion Week show the other year.

Q: Did you complete a senior project at DMU?
A: I did complete a senior project. The changing silhouette of the past and of today has predominantly been a result of the body-distorting garments we wear, and have worn in order to please society or our own ideals. It is this intrigue that has lead me to delve deeper into the realms of control over another person, or another form – especially the inanimate.

The ideas of restricting the body and playing with proportions are mixed with literal implications of the puppet, strings seen by vertical stripes and cording techniques, and separate limbs and ball joints reflected in dividing panels emphasized by contrasting boning channels.


Photos from Katherine Jones

Q: What have you been doing since graduating?
A: I finished Uni last June/July, and after a lot of thinking I decided that I wasn’t going to head straight into the fashion industry from Uni. I want to carry on my studies in an MA Costume Design course. As tuition fees were a little out of my range straight from Uni I decided to move home, and work various jobs to earn the money.

Q: Have you stopped working in fashion?
A: I am keeping my finger in the contour/fashion industry, with such opportunities as Alternative Fashion Week. I have been selected to show my collection, so I am currently trying to get everything sorted for that – bit stressful.

Q: (After AFW) How did the show go?
A: AFW was great — stressful but all good. Things are very busy at the minute, following the success of AFW I am in the research/design process of a new collection which takes great inspiration from the 1920s, so I am exploring further into past fashions and broadening my knowledge of historical dress. With busy days I mainly work on my collections in the evenings and weekends – which often means some sleepless nights, but hopefully it will all be worth it [Read more…] about TLP Interviews Lucy Jackson

Filed Under: Designers, Interviews, Katherine Jones, Lucy Jackson, Paul Tait

Lingerie From the Other Side of the Camera: Frederic Albert

May 17, 2008 by Rene

Frederic Albert is a French photographer that has done work for Helene Ponot. This interview took place over email. Q: Besides lingerie, what other kinds of photography do you do?
A: Of course I do some fashion and some glamour/beauty pictures. But, as you can see on my web-site, I mix portraits, stories and products pictures. For me it’s really a mix of these different types of photos that inspires me. When I’m taking a product picture, I can test lights and composition easily and than apply it on fashion pictures.

Q: Can you give me an example of something you learned from a product shoot that you were able to take to a fashion shoot?
A: The use of backlight to have a better feeling of the fabric might be the best example.

206.jpg

I love this one — very elegant, quite rich but very sexy with the hand near the breast

Q: How did you come to work with Helene Ponot?
A: We have been friends for a long time, but we only started to work to together recently. She is so talented and she has such a sexy vision that it is really a great pleasure to work with her. And last but not least, she is so prepared that we can do a two days shooting in only one.

Q: How long do your shoots take if the client isn’t as prepared as Helene?
A: The time when people come to the studio and start thinking about what they want is over. Still, you can’t only consider time but also the results. So, it takes what it takes to be ok.

Q: Did you do the shoot for Flip Book?
A: I think Helene put three catalogues in the Flip Book and I just did the two last of them.

204.jpg
You know that she is looking at you, that she is proud of her lingerie, but she hides behind her hair to let you stare at her.

Q: Do you work with other designers? Who are they?
A: In lingerie I used to work quite a lot for Laura Philippe, a French brand.


Two strong American girls in a French living room. The purpose was to have something elegant and classy but not too far from the lifestyle of the buyer.

Q: Do you set up all the shots or do you work with a staff?
A: It really depend of the shots and the needs of the client. But “staff” seems a bit generous because it is more of a family business. Most of the make up artists, hairdressers, and set decorators are long time friends.

Q: Is this how your business network grows? Do your hairdresser friends recommend you as the photographer, etc.?
A: I hope so!

Q: Are you completely digital?
A: Yes! No film since 3 years.

Q: Outside of the obvious benefit (quicker edits, no development time), are there things you miss about film?
A: The time we use to spend with the client waiting for the test from the laboratory, is really the only thing I miss.

Q: What kind of equipment do you use?
A: From DSLR with 22mpx sensor to digital back with 45 mpx sensor; it depend of the job and the final use. My studio is fully equipped to work digitally.

Q: How long does a day of shooting take to deliver (preparation, production, selection, etc.)?
A: Sometime, just a few hours when it is a rush (and most of magazine shoots are always rushed). Most of the time the day after unless there is al lot of retouching that I have to handle myself.

Q: Where did you go to school?
A: I did a cinema school in Paris.

Q: Did school help you with your photography or did you always have a passion for the still image?
A: The school helped a lot, because I was learning the direction of photography. At the end of each small film I took pictures of the actors to thank them for their work. So at the end of the school I had a big book of portraits!

Q: Are you accepting new work?
A: Of course !

Q: How should people contact you?
A: Phone, e-mail, everything is working.

http://www.fredericalbert.com/
Email
Tel : 00 33 (0)1 45 23 36 68
GSM : 00 33 (0)6 09 65 61 79
http://www.phototopclasse.com/
MSN : phototopclasse@hotmail.com
MySpace
LinkedIn

Filed Under: Frederic Albert, Helene Ponot, Interviews, Photographer

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